There’s an unusual amount of activity on the Wally Wood retrospective front, with collections coming soon from both Vanguard and IDW. This pleases me. I’ve always felt that Wood wasn’t valued highly enough and now there’ll be hundreds and hundreds of pages on the bookstore shelves to show everybody why I think so.

Vanguard’s all color Wally Wood: Strange Worlds of Science Fiction was originally announced with 136 pages of Wood’s EC-era science fiction comics stories: but in a last minute expansion that page count has now been raised to 208 (count ’em! 208!) pages.

That’s a lot of Wally Wood in there.

According to Vanguard, much of the new content is Wood’s complete science fiction work for Avon, the paperback publisher whose comics arm was a competitor with EC Comics up to the mid-1950’s with titles like Strange Worlds and Out of This World Adventures.

One of the many things to look forward to, then, is that this collection will include not only the EC Comics stories, but an even larger amount of the work Wood’s best remembered for – his science fiction comics stories from the 1950s. And while sentences like that infuriated Wood later in his life… well, it’s true. That is the work he’s best remembered for. But it may still act as a gateway drug to get you all to look at the wonderful work he did later on in his life.

I was thinking a lot about Wood last week while I was lighting a couple of scenes. His inking was powerful and unique; his body of work has a lot to offer to anyone who makes pictures.

Folks – especially on the Internet – tend to repeat some of Wood’s most sarcastic comments like Never draw what you can copy; never copy what you can trace; never trace what you can photostat and paste down. Most of these came about when Wood was a disappointed and angry man, and because they’re a direct reversal of what he did in this work from the 1950’s I see them as instructions he was drumming into his own brain – because they were in fact at odds with his nature.

Wally Wood tried to reform himself into a hack because he’d been so frustrated by being the artist he started out to be. That’s one of the reasons why Wood makes us sad. These hundreds of pages, from a time before he’d beaten his head bloody against his own career, are the reasons why he should make us happy.

Over at io9 Natalie Baaklini continues her series of articles about the science fiction pulp magazines and their art, this time covering the years of 1930-1949 before spilling over to the paperbacks of the 1950s. (Part One, if you missed it, is here.)

There’s a great collection of cover images (with credits, happily) and even a link to the web site of one of the still-practicing artists. Expect some analysis, though nothing too artsy, as an old friend of mine might say ("But some of my best friends are artsy people!") and anyhow an aesthetic and philosophical analysis of women being lowered into giant test tubes has got to beat most kinds of analysis you can find.

I tried to Google the author for some background but the only thing I discovered is that there are a bunch of Natalie Baaklinis, which surprised me just as much as finding out how many people share my own unlikely name. So whichever Natalie you are, keep it up. Nice stuff.

Wonderputt is a beautiful little in-browser miniature golf game from Damp Gnat. The course is pretty neat when you first see it… but be ready to watch it transmogrify itself as you go from hole to hole, working up to the point where you can launch the silvery retro rocket at the very end.

Wonderfully fun! … via Super Punch.

You’ll be seeing Osgood Finnegan again, around late September, in The Lair of the Clockwork Book. For the moment you can see his airship sailing out over… someplace. Click it, and see it swell into world-dominating magnificence!

The new illustrations are moving along at a respectable pace – that surprises me, since I’d been dreading the number of new things I’d need to build for this one. But between my working quickly, on the one hand, and cheating outrageously, on the other, things are going well so far.

I’ve even been thinking about exactly what comes after The Clockwork Book and Part Two of The Toaster With TWO BRAINS. Part Three, obviously: but there will be a new serial to figure out too. I keep having these urges to fold in something I was working on awhile back – but since that one nearly destroyed my brain last time around I have to question whether that’s a very good idea.

It all depends on how much I like my brain, doesn’t it?

T-Shirts (at The Retropolis Transit Authority, Saga Shirts, and Hot Wax Tees) are on sale with $5 off any order at all (nope, no minimum order) through August 21; you just need to enter the coupon code WHAT$5 during your checkout.

That’s completely eclipsed by the other sale, through August 27, which offers you $15 off an order of $50 or more on posters, blank books, wall clocks, and other merchandise. You can find my Celtic art posters and so on at Celtic Art & Retro-Futuristic Design, while the Retropolis art, as always, makes its home at Retropolis. For those items, use the coupon code ANN0813.

Just don’t get ’em mixed up; WHAT$5 is $5 off any T-Shirt order, while ANN0813 is $15 off a $50 order for all that other good stuff.

 
*okay, I made that part up.

[tags]t-shirts,posters, celtic art, retropolis, retro future, coupon[/tags]